Conference Papers
2025 Andrea Fisher and the Politics of Painting: When is a Painting Not a Painting? When it's an Installation, paper presented to the on-line symposium 'The Curatorial in Painting' organised by Dr Alison Green, reader in Art, Curating and Culture at Central St Martins UAL, and Dr Moyra Derby, Associate Professor of Fine Art, School of Fine Art, History of Art and Cultural Studies, University of Leeds. The paper to appear in a forthcoming issue of The Journal of Contemporary Painting, 12.1, April 2026.
2013 'Joseph Kosuth, Neither Painting nor Sculpture: prosthetics, props and mechanical devices', Canterbury, University for the Creative Arts, conference organised in relation to 'Limber Spatial Painting Practices', exhibition curated by Cherry Smyth and Jost Münster, contributors Maxence Arcade; Michael Archer, Dominic Rahtz, Audrey Reynolds, Stephen Wilson
1999 'Theory Purloined as Practice in 'The Purloined Letter'' for 'The Relation of Theory to Practice', conference curated by John Seth, Canterbury College of Art, with Jean Fisher, Cuauhatemoc Medina, Kate Love.
1996, In conversation with Bryan Robertson, Prunella Clough exhibition, Camden Arts Centre.
1995, 'The Awakening Conscience and the picture of Dorian Gray' in 'Beautiful Translations', Rear Window and Kent Institute of Art and Design, Tate Gallery, London
1992 Contribution to 'The Engagement with Psychoanalysis,' section of 'Feminist Art Criticism into the 1990's', Decentenial Conference of the Women Artists Slide Library, curated by Katy Deepwell, Morley College, with support from The Arts Council of England.