2018 Through a Lens Darkly, Art on the Borderline, Juliet Steyn, Third Text, Taylor Francis Online

2018 British Abstract Painting in the Eighties, Matthew Macaulay, Lanchester Research Gallery, np

2015 Collaborators 4, Kathryn Lloyd, in Art Monthly, no 392, December issue, pp19-20

2011 Crafting the Contemporary, Janice Jeffries, in Maria Elena Buszek Ed. Extra/ordinary: Craft and Contemporary Art, Duke University Press, p227

2005 Between Letters and Abstraction, review, Martin Herbert, Art Monthly, no 284, March issue, pp33-34

2003 Artlab 021, with essay by John Slyce, Artlab, Imperial College, London

2001 Vivid, catalogue essay, David Ryan, Richard Salmon Gallery, London

2000 The British Art Show, Catalogue, Hayward Gallery Publishing, London

1999 The Sublime Now, Chris Want, in "Sublime, the Darkness and the Light", Arts Council Catalogue, London

1999 Oh Pas La, catalogue essay, Chris Want, LAC, Narbonne

1997 Pittura Brittanica: Art from Britain, British Council Catalogue

1997 Sequence, review, Martin Herbert, in Time Out, September 10th-17th, London

1997 Joan Key at Richard Salmon, Mark Harris, Art in America, March issue

1996 Joan Key, catalogue, texts by Sacha Craddock and Jean-Paul Martinon, Richard Salmon Gallery, London

1996 Joan Key, Richard Salmon Gallery, review by Mark Currah, Time Out, September 10th-17th, London

1996 Joan Key, Shimmering, an Act of Transformation, Yve Lomax, in MAKE: The Magazine of Women's Art, no 72, October-November issue, Women's Art Library, London

1994 Abschied/Arrival, catalogue essays by Lewis Johnson and Katya Reisner, British Council

1993 Affective Light, Introduction by Peter Cross and Jean-Paul Martinon, essay by Lewis Johnson, Rear Window Trust, London

1989 Blasphemies, Ecstacies Cries, Andrew Brighton, Serpentine Gallery Catalogue

1988 Maternal Metaphors, Leslie Dick (not published)

1982 Red Nudes, introduction to the exhibition, Michael Tooby and Juliet Steyn

1980 Seven Painters, essay by Bill Packer, Kettles Yard Gallery, Cambridge.