2018 Through a Lens Darkly, Art on the Borderline, Juliet Steyn, Third Text, Taylor Francis Online
2018 British Abstract Painting in the Eighties, Matthew Macaulay, Lanchester Research Gallery, np
2015 Collaborators 4, Kathryn Lloyd, in Art Monthly, no 392, December issue, pp19-20
2011 Crafting the Contemporary, Janice Jeffries, in Maria Elena Buszek Ed. Extra/ordinary: Craft and Contemporary Art, Duke University Press, p227
2005 Between Letters and Abstraction, review, Martin Herbert, Art Monthly, no 284, March issue, pp33-34
2003 Artlab 021, with essay by John Slyce, Artlab, Imperial College, London
2001 Vivid, catalogue essay, David Ryan, Richard Salmon Gallery, London
2000 The British Art Show, Catalogue, Hayward Gallery Publishing, London
1999 The Sublime Now, Chris Want, in "Sublime, the Darkness and the Light", Arts Council Catalogue, London
1999 Oh Pas La, catalogue essay, Chris Want, LAC, Narbonne
1997 Pittura Brittanica: Art from Britain, British Council Catalogue
1997 Sequence, review, Martin Herbert, in Time Out, September 10th-17th, London
1997 Joan Key at Richard Salmon, Mark Harris, Art in America, March issue
1996 Joan Key, catalogue, texts by Sacha Craddock and Jean-Paul Martinon, Richard Salmon Gallery, London
1996 Joan Key, Richard Salmon Gallery, review by Mark Currah, Time Out, September 10th-17th, London
1996 Joan Key, Shimmering, an Act of Transformation, Yve Lomax, in MAKE: The Magazine of Women's Art, no 72, October-November issue, Women's Art Library, London
1994 Abschied/Arrival, catalogue essays by Lewis Johnson and Katya Reisner, British Council
1993 Affective Light, Introduction by Peter Cross and Jean-Paul Martinon, essay by Lewis Johnson, Rear Window Trust, London
1989 Blasphemies, Ecstacies Cries, Andrew Brighton, Serpentine Gallery Catalogue
1988 Maternal Metaphors, Leslie Dick (not published)
1982 Red Nudes, introduction to the exhibition, Michael Tooby and Juliet Steyn
1980 Seven Painters, essay by Bill Packer, Kettles Yard Gallery, Cambridge.